Voici les photos prises par Marie-Noëlle Anctil lors du spectacle présenté au Piranha Bar de Montréal le 10 Octobre 2015 par Dungeon Works Productions et qui mettait à l’affiche The Agonist, Decadawn, In the Name of Havoc, Fractal Cypher, Seismic Breach et See Through Secrecy.
Voici les photos prises par Marie-Noëlle Anctil lors du lancement d’album de Mass Murder Messiah présenté par Jaune Prodz au Petit Campus de Montréal le 9 octobre 2015 et qui mettait également à l’affiche Dark Century, Canceric et Chariots of the Gods.
Voici les photos prises par Marie-Noëlle Anctil lors de la première Demi-Finale du Métal Académie 2015 présentée le 8 Octobre 2015 au Club Lambi de Montréal par XTrem Productions et qui mettait en compétition Kreise, About:Blank et Archetype.
Juges
![[EVERTRAPPED] - Under the deep cover](http://ondeschocs.com/wp-content/uploads/2015/10/EVERTRAPPED-Under-the-deep-cover.jpg)
Ondes Chocs est heureux de s’associer avec [EVERTRAPPED] pour vous offrir en exclusivité l’écoute complète de leur troisième album, «Under the deep» qui paraîtra le 16 Octobre via Hellstorm Recordz.
Vous pouvez également consulter sous le lecteur uns courte bio et une explication de chacune des chansons dans les mots de [EVERTRAPPED].
Formed in 2007, Montreal based original band [EVERTRAPPED] brings Melodic Death Metal to a new level of brutality. All five current members clear a warpath to the stage with killer technical metal riffs and epic breakthrough choruses. Guitarists Frederick Dupuis and Vincent Benoit hammer out raw guitar licks, Bassist John Yates brings in the low end, Drummer Eric Lemire pounds out violent beats, and James Brookes bridges the gap between deep gutturals and sick high screams.
[EVERTRAPPED] has always taken it upon themselves to release self-produced albums in order to ensure their complete satisfaction with the final product. They have always kept a keen ear to the modern sound in a constantly changing world of Metal production, and taken it into strong consideration. However, this process allows them to retain their creative control and develop their unique sound within the world of Metal none the less.
About the album and track by track explained by [EVERTRAPPED].
«Under The Deep» is an exploration of the deepest reaches of human madness. Not clinical madness, but simply the darkest regions of the soul and the blackest part of the human heart from a mind found to be socially functional, but is really way too far gone. And thus it seeks to explore what is underneath the deepest depth, hence no matter how deep you descend there’s always another layer that can be torn away.
1- […] intro
2- «Arise From The Ashes»: A depiction of someone who has actually reached the bottom, so their rise from there so to speak. Like the king of their own universe broken by all clawing it’s back but fueled by an ever consuming hatred.
3- «Underneath The Deep»: A personal look at how a person can only be fucked up by someone else for too long until they break. But this takes you to a point where you now can’t come back.
4- «Palace Of Injustice»: A stab at anyone blinded by the indoctrination of any institution and their ultimate demise that likely follows due to their ignorance towards it. However, it does aim more at the disgust of the institutions themselves and not so much the ignorance of the people.
5- «Hypnotized By Hatred»: Another personal reflection, but in this case more a person who has been made to believe that all they do is wrong. So it brings up the sense where if you tell someone enough times that they are shit, then eventually they will just believe it. And in this case someone who becomes a very dark god loathing individual because it takes them to a point where they think it’s hysterical.
6- «Blood Of The Fallen»: This is set in a horror like context although it not some zombie tribute. It simply laughs at how we place so much importance on the memory of the dead yet never bat an eye at the reality of human suffering which we ourselves cause.
7- «Lethal District»: Somewhat of a post apocalyptic view of the surviving factions of humanity that instill themselves as the powers that be, and thus cast out the unclean, unworthy, and so forth. And therefore it sheds light on the madness and revolt of the unwanted.
8- «Burning Through Vengeance»: This is a straight up rebel song. A certain arrogant fuck you to a society that rejects you, but you still know that you know better than them. So instead you’ll bide your time and watch them hilariously screw themselves over.
9- «Reaper»: As the title suggests, an end of the line type song. In a certain way captures the essence of [EVERTRAPPED] in terms of the inescapable event that is death.
10- «Embrace The End»: This also goes more or less as the title suggests. This is another song for the apocalypse but more at the actual hour of the end itself. A look at almost coming to terms with the fact that it was likely the fault of humanity and embracing the acceptance of such evil.
CORPO-MENTE
«Corpo-Mente»
Blood Music
2015
Liste des pièces
Scylla
Arsalein
Fia
Velandi
Dorma
Dulcin
Equus
Ort
Saelli
Encelli
*Scroll down for English version
Parfois je deviens tannée de toujours écouter le même genre de musique, alors dernièrement j’écoute plein de musique variée. Et comme souvent ça lui arrive, Lex a trouvé le moyen de me fournir un album très différent. Il m’a envoyé CORPO-MENTE, un duo français baroque/trip-hop/acoustique, formé de Gautier Serre (Igorrr) qui s’occupe de toute l’instrumentation et de la production, accompagné de la chanteuse Laure Le Prunenec (Rïcïnn [Igorrr/Öxxö Xööx]) auxquels se sont joints quelques collaborateurs pour l’enregistrement de son premier qui est éponyme. C’est un genre de musique que j’écoute rarement, mais dont j’ai toujours quelques morceaux dans mon lecteur audio personnel, et je dois dire que CORPO-MENTE m’a fait du bien à l’âme.
J’ai adoré l’écoute de cet amalgame de musique baroque et d’opéra aux sonorités folk/médiévale, qui est en même temps sombre et aussi parfois pesant. Tu peux faire de la relaxation avec cet album-là. Tout au long de l’écoute, j’ai eu l’impression d’être dans une forêt sombre, à déambuler sans raison, tout en admirant le paysage. J’ai eu une drôle de sensation quand, après avoir écouté l’album, j’ai regardé la pochette qui dépeint justement une petite fille dans une forêt sombre.
J’ai apprécié l’intrégration de trip hop dans les deux premières pièces de l’album. C’est très original car ça change de ce que l’on écoute normalement. C’est de la musique tranquille, mais pas endormante. Il y a beaucoup d’utilisations des variations de hauteurs de notes et de tremolo musical qui donnent un cachet très particulier aux différentes pièces. Dans certains passages, on croit entendre une légère distorsion à la sauce dubstep. Je ne suis vraiment pas une fan de dubstep, mais quand c’est léger et discret, ça donne un «plus» à la musique.
La chanteuse a une de ces voix qui montre beaucoup d’expérience. Elle a un registre vocal qui lui permet de passer de l’opéra à une voix plus criarde ou plus rauque.
L’une de mes pièces préférées est «Ort». La chanteuse m’a hypnotisée avec ses différents changements vocaux. Je vais me répéter, mais les différentes variations vocales de la chanteuse sont enivrantes et tellement bien exécutées. J’en suis personnellement jalouse en tant qu’ancienne chanteuse.
Je n’ai qu’un tout petit point négatif pour cet album. J’ai eu l’impression que les chansons commençaient toutes dans le même mood. J’ai commencé à avoir un sentiment de déjà entendu vers la moitié de l’album. Remarquez qu’un déjà entendu quand c’est bon, ce n’est pas nécessairement négatif surtout qu’individuellement, chaque chanson est très bonne.
Pour les passionnés de musique calme et agréable, c’est une découverte pour vous. C’est une musique très imagée et accessible. Je vous invite à écouter son album sur le Bandcamp où il est en téléchargement «À VOTRE PRIX».
Marie Anctil
Sometimes I get tired of always listening to the same kind of music, so lately I listen to a lot of different kind. And as it often happens to him, Lex has provided me with a very different album. He sent me CORPO-MENTE, a french baroque / trip-hop / acoustic duo formed by Gautier Serre (Igorrr) who handles all instrumentation and production, accompanied by the singer Laure The Prunenec (Rïcïnn [Igorrr/Öxxö Xööx]) to which are added a few collaborators for the recording of its self-titled first album. This is a kind of music I rarely listen to, but I always have a few songs that fit this mood in my player and I have to say CORPO-MENTE warmth my heart and soul.
I loved listening to this mix of baroque and opera with folk / medieval-like music that can also be dark and sometimes heavy. Throughout the album, I felt as if I was in a dark forest, wandering without being lost, just admiring the landscape. This is quiet music, but not soporific. There are many variations and some tremolos which give a very special touch to the songs. I enjoyed the presence of trip hop in the first two songs. It’s very original, definitely not what you normally listen to. Also in some, I heard some distortion… «dubstep style». I’m really not a fan of dubstep, but when it’s light and discreet, it gives a «plus» to the melody. The singer has one of those voices that shows a lot of experience. She has a vocal range that would fit her in an opera but that can also be screamy or more coarse.
My favorite song is «Ort». The singer hypnotized me with her various vocal changes. I’ll say it again, the varied vocal styles used by this singer is intoxicating and so well executed. I’m personally jealous as a former singer.
I have only one very little negative point for this album. I felt that the songs all started a bit in the same mood. I began to feel a déjà vu from the middle of the album but it’s not a big thing when songs unfold in their own pattern and are all, individually taken, so good.
For lovers of quiet and warming imaginative music, CORPO-MENTE should appeal to you. This is a very vivid and accessible music. I invite you to listen to its album on its Bandcamp where you can download it for «NAME YOUR PRICE».
Marie-Noëlle Anctil
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